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How does traditional music and performance practice reflect racialized and gendered discourse in American society? How can narratives about women's Help need to release very discrete within traditional music speak to both ethnomusicological and biographical practice?

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Describe the intersections between the church as a social institution and the spirituals as expressive culture. McKim, Lucy [Garrison].

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Moore, Ella Sheppard. Albert, Octavia V. The House of Bondage, Reprinted with introduction by Frances Foster Smith.

Excerpts from Uncle Tom's Cabin Williams, Sherley Anne. Edited by Mary Helen, Washington. Hurston, Zora Neale. Selections from: Cunard, Nancy. New York, NY: Continuum, Parrish, Lydia. Slave Songs of the Georgia Sea Islands.

Preface by Bruce Jackson, I-X, Parrish introductory material, ix-xxiii, map on xxiv,and Jones, Bessie, and Bess Lomax Hawes. Jones, Bessie. For the Ancestors: Autobiographical Memories. Collected and Edited by John Stewart. Housewives seeking casual sex Peetz

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Katz, Bernard. Georgia Sea Island Songs. Southern Journey Fat girl sales sex. McGraw-Hill, What is the relationship between folk blues and African-American women's experience? How do we read the blues as text, music, and performance practice in relation to gender? What happened to women in the nascent "race records" recording industry?

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Leib, Sandra. Mother of the Blues. Schuller, Gunther. Early Jazz. Black Women in America.

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An Historical Encyclopedia. Gaar, Gillian G. She's a Rebel.

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The History of Women in Rock and Roll. Seattle, WA: Seal Press,pp. Rainey, Ma. Louis Blues. Compare British and American versions of "Barbara Allen" literarily and musically. What are the Meet for sex Calvert Texas of these collectors? Lomax, Abrahams, the Warners, Ritchie.

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What is the relation between progressive politics and folk music?

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What are the different qualities of experience and apprehension between recorded sound and the oral tradition? What difference does it make to be able to record informants' music?

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I and II, song texts: pp. Bufwack, Mary A. The Saga of Women in Country Music.